Thursday, May 30, 2019

Company of Lovers :: essays research papers

THE COMPANY OF LOVERS JUDITH WRIGHTJudith Wrights 1946 poem The Company of Lovers makes a juxtaposition of two essential forces of major impact upon human existence, the effects of love and those of death. Within the poem it can be noted that the two stanzas reflect each of the certain(p) themes. The first, a universal description of love and the ambitions two lovers might have, whilst the second a reflection of how quick all may soon be helpless through the loneliness of death.Wright is renown for her use language, and many of her poems contain paradoxes in which the reader is confronted with a phrase completely unrealisable, but effective in characterization the nature of the poem. The Company Of Lovers itself opens with the use of a paradox We meet and part now instils an image of simultaneous unity and depart, evoking in a sense of jury-rigged cohesion that may soon be lost. This may represent a changing nature of lovers and perhaps such a quick meeting and leave represents the promiscuous nature of some who class themselves as lovers. Nonetheless, a different approach is taken as the first stanza introduces the lost company which could quite come up represent lost ideals or values that once offered what was a company of lovers, which has now become short-term relationships. This emphasis goes on to describe, with passion, the joining of hands together in the night of those who sought many things, throw all away for this one thing, one only love.Such descriptions change, however, as the last lines change in tone, bringing forth a harsh reality, even to those submerged in the unified joys of love with a strategically placed narrow grave to stress the loneliness of death.Ambiguity can also be noted through the use of many joints within the poem, even from the first lines of the title itself. The word company has several connotations of which could signify the reader being within the company of lovers, or perhaps lovers in the company of one another .

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